Or he might have had her shut up in a convent. All the reader knows for certain is that the lady in the painting is no longer alive. As they look at the portrait of the late Duchess, the Duke describes her happy, cheerful and flirtatious nature, which had displeased him.
As he shows the visitor through his palace, he stops before a portrait of the late Duchess, apparently a young and lovely girl. When you read the poem, you generally read straight through to the next line and so you would not pause to emphasise the rhyming words at the ends of the lines.
Browning is known to have researched into certain aspects of Renaissance Italy, studying well known figures of the time to help with his poetic endeavours. She had A heart—how shall I say?
There she stands As if alive. The duchess treated everything with the same light touch, which must have displeased the duke, despite him being her closest bosom friend or sexual partner? He liked her smiles only for himself, but would stifle her humanity if directed towards others.
The duke here pulls the mask off his own face. As the Duke and emissary leave to return to the other guests, the Duke calls attention to his bronze statue of Neptune taming a seahorse. His musings give way to a diatribe on her disgraceful behavior: Not only was he afraid of losing her, we also get the impression that he is more concerned over his loss of control over her.
My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least.
Even in death the Duke wished to hide her away behind the curtain where no other man could admire her beauty. Not a single word is wasted. The aggressive individualism of the Duke and his tyranny of possession already indicated in "my" of the first line are reinforced in his pride of being the only person to draw the curtain away from the portrait.
One thing is certain, this dramatic monologue is a masterpiece of the genre. He boasts about his great name and status in a mean manner. Here is a full metrical analysis line by line: Or at least, that was his perception.
She had A heart—how shall I say? The meaning of the title Right from the title, the poet offers a glimpse of the possessiveness of the Duke.
Or did he send her off to a convent never to be seen again?
He is very much in charge of things, the reader introduced to him as he is about to show off an unusual painting to an anonymous guest. Trochees are inverted iambs, so the stress is on the first syllable, falling away on the second.
In lines 45 and 46 the poem shudders and shocks.
My Last Duchess was written in the Victorian age, when women were seen more as property in a marriage than real humans capable of love.- Robert Browning’s “My Last Duchess,” written inis an intriguing poem that reveals an unexpected interpretation when closely analyzed.
The poem is based upon actual incidents that occurred in the life of Alfonso II, Duke of Ferrara. In Robert Browning’s poem, the Duke of Ferrara speaks to an agent representing the count. The duke begins by referring to “my last Duchess,” his first wife, as he draws open a curtain to display a portrait of her which is hanging on the wall.
"My Last Duchess" is narrated by the duke of Ferrara to an envoy (representative) of another nobleman, whose daughter the duke is soon to marry.
These details are revealed throughout the poem, but understanding them from the opening helps to illustrate the irony that Browning employs.
The poem "My Last Duchess" wrote by Robert Browning is narrated by Alfonso, the Duke of Ferrara in the 16th century.
The duke is hosting an emissary whose main purpose of visit is to negotiate marriage proposals between the Duke and the daughter of a. My Last Duchess by Robert Browning: Analysis The poem opens with the reference, by the Duke of Ferrara to the portrait of his last Duchess.
The Duke says that the figure in the portrait has the very look of life. This cannot be mistaken as a hint of lament. Browning's use of irony exposes the Duke to us: the Duke himself could not.
Summary This poem is set in and is based on the real-life Duke Alfonso II who ruled Ferrara, Italy in the latter half of the 16th century. In the poem, he’s talking about his first wife Lucrezia de’ Medici, who died under suspicious .Download