Witnesses to those events the author depicts the ignorance of people: Auden creates a speaker who is, to all intents and purposes, delivering an opinion on various paintings that deal with human suffering.
Unfortunately for Icarus he does not follow the instruction and flies too close to the sun and the tragedy strikes and he falls into the water and dies. Icarus was a Greek mythological figure also known as the son of Daedalus. He associates the tragedy of Icarus and the landscape of Bruegel with the events of his time when the Nazi were slowly taking over Europe, and the striking indifference of the rest of the world towards the despair of the unfortunate few.
Is it apathy that takes over? Since the wings were made out of wax Daedalus instructs his son not fly too close to the sea since they will soak into water, but also not too close to the sun since they will melt down. The second stanza reinforces the idea of separateness, of people at work, at play, whilst the disaster, the suffering, goes on elsewhere.
We need routine, we fear distraction. They continue skating on ice, oblivious to the one-off happening. In the first stanza the speaker makes observations from other paintings by the same artist, Brueghel, namely Numbering at Bethlehem, Winter Landscape with Skaters and a Bird Trap and Massacre of the Innocents.
Are people consciously looking the other way to avoid involvement? Martyrdom Further Analysis Musee des Beaux Arts is an informal commentary on the bizarre human situations that arise in certain older paintings, notably one, The Fall of Icarus, which is now in the Musees Royaux des Beaux Arts in Brussels.
The speaker states with a cool detachment how there always must be such a gap between the young and the old. The myth is about Icarus and Daedalus who were arrested on the island of Crete by the King, and Daedalus constructs wings out of wax so they can fly away and escape from the island.
There is an irony in this and the speaker captures it in a subtle, matter of fact fashion. These references highlight the strange, contrasting human experiences that are part of the fabric of life - one person suffers terribly, another carries on regardless with some mundane activity.
And a little further on the philosophical, fateful speaker asserts in a quiet fashion how martyrdom must run its course, no matter how dreadful, in some backwater, away from the hubbub of the crowd.
For example, in the first stanza there are children who did not want a miraculous birth to happen, despite an older generation passionately waiting for a miracle birth. As Icarus dramatically falls into the sea the event for one man was not an important failure; it made no impression on a passing ship with somewhere to get to; there is no reaction.
How many times have we watched horrific and disturbing images from some remote place in the world, knowing that, not too far away, normal lives are being lived.
He links the events captured in the painting of Bruegel with real life and somehow concludes that despite miraculous events like birth as well tragedies like death occur around us, we remain indifferent and cold as life goes on.
The philosophical question that surfaces from such an issue - Why is it that some can knowingly ignore the cries for help from those experiencing torture and pain?Musee des Beaux Arts Essays: OverMusee des Beaux Arts Essays, Musee des Beaux Arts Term Papers, Musee des Beaux Arts Research Paper, Book Reports.
ESSAYS, term and research papers available for UNLIMITED access. Musée des Beaux Arts Critical Analysis The title Musée des Beaux Arts is French for 'Museum of Fine Arts', and references the one that holds the painting Landscape with the Fall of Icarus. “Musée des Beaux Arts” was composed inpublished under the title “Palais des beaux arts” in a newspaper inand included in the volume Another Time in It was written after Auden had spent time in Brussels, Belgium.
Essay about Theme of Suffering in Musee des Beaux Arts by W.H. Auden Words 4 Pages A poem is a great way to express your feelings as well as get your point across.
W.H. Auden's Musee des Beaux Arts and Pieter Bruegel's The Fall of Icarus - W.H. Auden's Musee des Beaux Arts and Pieter Bruegel's The Fall of Icarus W.H.
Auden and Pieter Bruegel were both keen observers of the ordinary.
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